The
Cathedral
The
Cathedral, begun in 1776, was consecrated in 1882. The façade is incomplete.
The interior with nave and two aisles houses some beautiful works of art: six
Byzantine frescoes representing the apostles discovered in 1830 in the crypt,
the first Cathedral that probably dates back to the very beginning of the
Christian era; a precious marble Coptic bas-relief (Vth century) with the
Madonna in prayer and the Child surrounded by the archangels Michael and
Gabriel; a wooden gold-plated statue of the Virgin with the Rosary which is
particularly venerated by the inhabitants of Adria and finally the magnificent
carved wardrobes of the sacristy carried out by Jacopo Piazzetta around 1689.
The church
( 8th century) has been repeatedly restored. Its name comes from the
discovery nearby of the tomb of an important Roman whose name, Quinto Tizio
Sertoriano, is legible on a plate at the base of the bell-tower. The middle of
the Baroque façade is characterized by a marble statue of the Virgin ( 7th
century) by Jacobus Contierus Patavinus. The present Venetian-style bell-tower
was built in 1931 by the architect G.B. Scarpari on the ruins, according to the
local tradition, of the ancient lighthouse of Adria.
Inside, the
baptismal font with its monolithic Roman basin and the Dormitio Virginis, a
splendid 15th century terracotta attributed to Guido Mazzoni representing the
Madonna surrounded by the apostles crying over her death, are worth mentioning.
In order to
appreciate the importance Adria enjoyed in past times, a visit to its Museum
containing magnificent finds is advisable. The Museum, inaugurated in 1961, was
designed by the architect G.B. Scarpari.
If the
prehistoric period is poorly attested, the exhibition is rich in remains dating
back to the 6th century B.C. when the town was a flourishing port.
The
civilizations which have left evident traces are four: Paleo-Venetian, Greek,
Etruscan and Roman.
The first
is testified by ceramics, implements made of bone and horn, small bronze
sculptures and inscriptions.
The Attic
vases with black figurines (6th century B.C.) and those with red
figurines (5th century B.C.), attributed to famous Greek painters,
are much more precious.
The vases
are mainly beakers, pitchers and craters. The scenes painted on them represent
banquettes, warriors, athletes and mythological characters.
The
inhabitants of Adria have always been fond of opera and music. Indeed a great
deal of concert–halls and theatres have followed one another over the years.
Nowadays his ancient tradition is testified by Cavour Square. It was designed
by the architect G. B. Scarpari
and inaugurated in 1935 with the opera Mefistofele by Arrigo Boito. Some famous singers have
performed here such as the soprano Rosetta Pampanini and the tenor Beniamino
Gigli.
The façade,
characterized by a great balcony and strong pillars, is striking in its
sobriety. The same style inspires the vast interior embellished by a few works
of art by G. Samoggia and A. Viaro. The cupola above the stalls,
which has been conceived to allow sound–waves to propagate uniformly, is worth
noticing. That is why this remarkable theatre has such excellent acoustics.
see also other sites in and around Adria